This new release sees the band refine their trademark sound, fusing their love of woozy dub with throbbing electronics. Here, house music, flecked with Arab and Indian vibes, also shamelessly cavorts with dub. These five tracks go down easy and brings you into sci-fi trance mode.
Ahead of this release, Rude Audio previewed ‘To The Sun’, complete with a new virtual reality-inspired video, directed by Ali Ingle, as well as ‘To The Half Moon’, for which Robert Bell also created the video.
Earlier Andrew Weatherall, premiered several tracks from the new EP on his radio show. This EP appeal to fans of Weatherall himself, as well as The Orb, Future Sound of London, Duncan Gray, Adrian Sherwood, On-U-Sound, Hot Chip, and Jagwar Ma.
Based in South London, Rude Audio is a collective with a history of putting on fantastic underground parties, releasing the occasional dubby Balearic opus, engineering for the disparate likes of Paul Weller, Lemon Jelly and Royal Blood and generally mooching about anywhere that doesn’t have bouncers or operate a dress code.
The core of the collective are Mark Ratcliff (whose releases have been played by the likes of Andrew Weatherall, Laurent Garnier, Kris Needs, Don Letts, Graeme Park and Rob de Bank, as well as BBC Radio 6’s Nemone and Gideon Coe), Owain Lloyd (mixing engineer for everyone from Oakenfold and Weller to Niall Horan) and Dave [The Rave] Brennan (ex The End recordings and key player at tech house dons’ label, Bombis).
The EP represents a progression from Rude Audio’s latest ‘Rudest’ EP.More hooks, more chug, and more Middle Eastern and Indian influences, while retaining an underlying commitment to the dubby end of the spectrum. Inspired by the more open-minded dancefloors proliferating in south and east London, where world music might brush up against techno, dub and indie dance, the ‘Rude Redux’ EP operates between 108 and 120 BPM – fast enough to dance to, slow enough to let the music breathe.
Inspired by the new, eclectic, lower BPM spirit found on more discerning south and east London dancefloors in recent years, the ‘Rude Redux’ EP has allowed Rude Audio to bury into its abiding love of dub, leftfield house and middle eastern sounds and weld everything to a chunky four-to-the-floor anchor.
The Rude Audio sound takes dub and house as its starting point and heads out into analogue electronic waters, where the chuggy, Balearic spirit of early 90s progressive house meets its more modern, low slung counterpart – think A Love From Outer Space, indie dance and nu disco.
“Whenever we are producing and getting excited by our output, we always insist that things sound as good as early Future Sound Of London singles and remixes. More broadly, we continue to be inspired by the more open and eclectic dancefloors of the early 90s and their spiritual counterparts today. Long may the Balearic spirit continue to resonate,” says Mark Ratcliff.
Rude Audio continue their residency at Flaxonptootch in Kentish Town, London, the first Thursday of every month, where art shows mutate into parties later in the evening. Rude Audio will host an EP launch party in early November supported by some special guests. More detail to follow.
1. To The Sun
2. To The Half Moon
3. Rumble on Arab St
4. Pipeline Screaming
5. To The Half Moon (Rich Lane remix)
‘To The Sun’, ‘To The Half Moon’ and ‘Rumble on Arab St’ – written by Mark Ratcliff and Owain Lloyd
‘Pipeline Screaming’ – written by Mark Ratcliff
‘To The Half Moon remix’ – remix by Rich Lane
Produced and arranged by Mark Ratcliff
Mixed by Owain Lloyd
Engineered by Dave Brennan
Cover art by Ralph Dodd
Mastered by Chris at Blacklisted
Rude Audio – Rumble on Arab St.
Rude Audio – To The Sun
Rude Audio – To The Half Moon Rich Lane Remix
Rude Audio links:
Band location – London England
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